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Huo Chen Shao Chuan Si Hai Zao Chang

Chasing Sunlight

The Sargasso escape is the operation by which the Endeavor burns through the deceptive mist and stagnant wreckage of the sargasso. Jonathan Heights initiates the plan as a means of restoring orientation, but the maneuver becomes a joint effort with the stranded Cult of Flame crew, exposing how survival in the eastern darkness repeatedly overrides the institutions’ prohibitions and prejudices. Its decisive result is not merely escape: fire reveals that the apparent sea is a mirage concealing a dry, ruined landscape, while its heat also revives the lingering sickness associated with Angkor Leng.

Causes and Setting

The Endeavor enters the sargasso after following the Khorus River south and east. The region appears as an immense expanse of dark water, crowded with rotted wooden and iron ships, derelict airships, mist, and wreckage suspended in uncertain relation to the surface. Jonathan does not intend to remain there. He uses the place only to regain his bearings, recognizing that the sargasso resists precisely the navigational purpose for which he has entered it. Compared with other eastern dangers, its apparent stillness seems relatively benign, but the need to burn away the mist makes the escape hazardous in a more material way: the fire dust could free the ship or incinerate it.

Montgomery identifies the immediate difficulty. The mist cannot safely be burned from the Endeavor itself, so the ship must be tethered somewhere and supplied with fuel. Jonathan proposes using a cluster of vessels, preferably a large one, because the floating wreckage can provide enough material to sustain the fire. Montgomery objects to the bad luck and unknown contents associated with burning a ship, but Jonathan revises the practical choice only slightly, suggesting that an already wrecked vessel be broken apart instead.

The escape also begins from a crisis of uncertain scale. An airman reports a nearby vessel carrying Cult of Flame insignia and apparently living people. The ship lies far from the Cult’s usual southern operations, but the strange properties of the sargasso make its origin difficult to determine. Montgomery argues that the stranded airmen remain human and that a good captain should not abandon people in distress. Eleanor McAvey supports the rescue, reasoning that the Cult of Flame would handle fire dust more skillfully than the Endeavor’s crew. Antomine rejects the proposal on religious and political grounds, treating the Cult as heretical and potentially more dangerous than the surrounding monsters. The disagreement establishes the operation’s central tension: the escape requires precisely the forbidden expertise that the Inquisition distrusts.

Planning and Cooperation

The stranded vessel is an aged cargo hauler made of myceliplank and treated canvas, marked repeatedly with the red insignia of the Cult of Flame. Its captain and deacon are not available to direct the work, leaving Lieutenant Azhir and the remaining men to explain themselves under Antomine’s questioning. Azhir cannot produce a manifest beyond the customary categories of valuables and information, and Antomine detects that the ship’s original purpose has been obscured by the deaths or loss of its leaders. Nevertheless, the practical problem is clear: the Cult’s airmen know how to use powdered flame.

Montgomery therefore asks Azhir to provide specialists for the operation. Azhir confirms that every airman of the Godforge knows fire dust, and Montgomery requests four men who can employ it quickly and safely. This exchange converts an ideological dispute into a division of labor. The Endeavor supplies organization, tools, transport, and protection; the Cult of Flame supplies technical familiarity with the dangerous substance. Antomine continues to disapprove, but the Cult is not formally at war with Beacon, and neither vessel is an official navy ship, so the act of assistance cannot easily be classified as treason.

Jonathan takes direct responsibility for the Cult members and the fire dust, partly because he wants the operation completed without delay. The men are brought aboard, approved by Antomine, and equipped with flight suits and tools. Crew members from the Endeavor cut sections from a large floating wooden geodesic and tow the pieces to a safe distance. Each fragment is anointed with fire dust and arranged into a perimeter around the ships. The work occupies several hours, and some pieces are retained as curiosities or keepsakes, although Jonathan suspects that the Inquisition’s restrictions will make those souvenirs more troublesome than the raw gold recovered elsewhere.

Jonathan gives the four cultists a deliberately narrow instruction. The purpose is to set the mist alight and force it back, not to perform a grander ceremony. Drawing on his previous experience in the sargasso, he tells them that only a small amount of fire dust and a complete circle had been necessary before; the current plan requires the surroundings to be fully broken by flame, but no additional ritual or elaborate pattern. His severity reflects both his expertise and his impatience. He is less interested in mastering the sargasso than in ending the delay and resuming the search for sunlight.

Burning Through the Sargasso

Once both crews retreat to their vessels, the completed ring appears as a broken circle of dark specks floating within the mist. Montgomery gives the order to light it. A rope taken from the Cult of Flame ship serves as an improvised fuse, carrying a thin snake of flame away from the Endeavor. The fire dust then ignites, producing a sudden wall of heat whose orange-red tongues rise and consume the surrounding mist.

The first consequence is bodily rather than visual. Every airman on the Endeavor’s bridge flushes with fever as the fire dust recalls the heat of the dream associated with Angkor Leng. The episode demonstrates that the substance is not simply fuel: it carries or awakens a remembered contact with the convalescent god’s dream. Some men wilt under the instant malaise, but none collapse, and the crew can do nothing except continue working through the affliction. Escape therefore requires the survivors to endure a danger already lodged in their bodies.

As the flames remove the mist, the apparent sea and its wrecks become visible in a vast panorama. Yet this revelation is itself unstable. The fire begins to consume not only the mist but the landscape that the mist had projected, and the view wavers as the mirage is torn apart. Great rents open in the false expanse of water. What remains is a barren, parched hill country crossed by long-empty canals and fallen locks. The sargasso’s apparent ocean is thus exposed as an illusion or distortion, and the fire functions as an instrument of navigation through reality as much as a means of propulsion.

The operation leaves the Endeavor beside only the skeletal floating wood and the newly revealed desolation. The Cult of Flame vessel immediately ignites its engines and departs southward in a burst of propulsive flame. Its departure is abrupt but understandable: the crew has been freed from the sargasso, and remaining near the Endeavor would leave them exposed to Antomine’s hostility. Antomine still wishes to destroy the vessel with the Endeavor’s guns, though he avoids stating the desire too openly. The escape therefore ends in physical separation rather than lasting alliance.

Consequences and Significance

The immediate practical consequence is freedom of movement. The Endeavor can continue its eastern course, while the Cult of Flame ship escapes in the opposite direction. The operation also improves the atmosphere aboard the Endeavor, which had been dour and strained after Ukaresh. The men’s gold and looted objects offer material consolation, but the successful burning provides something more immediate: proof that a seemingly impossible obstruction can be altered through coordinated expertise and controlled risk.

The action complicates the political meaning of civilization. Beacon’s institutions define the eastern lands, nonhuman peoples, and rival religious groups through categories of darkness, heresy, and danger. Yet the escape succeeds because Montgomery refuses to abandon the stranded airmen, Eleanor recognizes the value of their knowledge, and Jonathan chooses cooperation when it serves the expedition. The same act remains morally uneven: Jonathan supports the rescue partly to undermine Antomine’s position, while Antomine continues to regard the Cult as a threat even after its specialists make survival possible. Cooperation is therefore tactical rather than reconciliatory.

The sargasso escape also repeats the expedition’s larger pattern of revelation through peril. Jonathan seeks sunlight, but the fire first discloses another kind of truth: the solid ground beneath the false sea, the canals and locks beneath the apparent wreckscape, and the persistence of Angkor Leng’s fever within the living. Fire becomes both illumination and contamination. It clears the route while carrying forward the very affliction the expedition has tried to leave behind, making the escape a narrow victory rather than a clean release.

After the burning, the Endeavor continues westward through the Arch of Khokorron and emerges near the Lofted Lakes, a more hospitable but even less rational region of water spheres suspended above the ground. The transition emphasizes that escaping one impossible environment does not restore ordinary geography. The sargasso is left behind, but its lesson remains: in the world beyond Beacon’s light, navigation depends on accepting that maps, landscapes, religious boundaries, and even the substance of the sea may be provisional.